University of Aveiro<\/p>\n
Maria Aline Ferreira did her First Degree, in English and German, at the University of Oporto, and completed her PhD at the University of London (Birkbeck College) in 1988, with a Thesis on D. H. Lawrence and E. M. Forster. She has been teaching\u00a0since 1987\u00a0at the University of Aveiro,\u00a0where she has been an Associate Professor since 1996. Her courses include British Literature of the 19th, 20th and 21st centuries, Cultural Studies, Literature and Science and Utopian Studies at both undergraduate and postgraduate level, including PhD courses. Her main areas of academic interest include women\\’s studies, interart and intermedial studies, in particular the intersections between literature and science as well as literature and the visual arts, psychoanalysis and utopian studies.\u00a0Her book <\/span>I Am the Other: Literary Negotiations of Human Cloning<\/em><\/span> was published by Greenwood Press in 2005. Recent publications comprise articles on feminist utopias, eugenics, biotechnological dystopias and bio art. She is now working on a book provisionally entitled: <\/span>The Sexual Politics of the Artificial Womb: Fictional and Visual Representations.<\/em><\/span><\/p>\n 1. Ferreira, Aline (2005). I Ferreira, Aline (2011). Am the Other: Literary Negotiations of Human Cloning<\/em>. Westport, Connecticut and London: Greenwood Press.<\/p>\n 2. Ferreira, Aline (2009).<\/span> \u201cThe Sexual Politics of Ectogenesis in the \u2018Today and Tomorrow\u2019 Series\u201d. <\/span>Interdisciplinary Science Reviews<\/em><\/span>. <\/span>Volume 34,\u00a0N\u00ba 1, March, pp. 32-55.<\/p>\n 3. Ferreira, Aline (2010).<\/span> \u201cOur Cells\/Our Selves: Sexual Politics in Bio-art\u201d. In <\/span>Anneke Smelik (ed.) The Scientific Imaginary in Visual Culture<\/em>. G\u00f6ttingen: Vandenhoeck & Ruprecht, 149-161.<\/p>\n 4. Ferreira, Aline (2010). \u201cSymbiotic Bodies and Evolutionary Tropes in the Work of Octavia Butler\u201d. Science Fiction Studies<\/em>. Vol. 37, Part 3 (November): pp. 401-415.<\/p>\n 5. Ferreira, Aline (2011). <\/span>\u201cMechanized Humanity: J. B. S. Haldane and His Circle\u201d. In Paola Spinozzi and Brian Hurwitz (eds.) Discourses and Narrations in the Biosciences<\/em>. Interfacing Science, Literature, and the Humanities, volume 8<\/span>. <\/span>G\u00f6ttingen: V&R Unipress, pp. 145-158.<\/span><\/p>\n 6. Ferreira, Aline (2012).<\/span> \u201cGothic (Dis)Embodiments: Kureishi\u2019s The Body<\/em> and Richard T. Kelly\u2019s The Possessions of Doctor Forrest<\/em>\u201d. Textus: English Studies in Italy:<\/em>Special Issue: Gothic Frontiers. Glenys Byron (ed.): N. 3: pp. 117-131.<\/p>\n 7. Ferreira, Aline (2012). <\/span>\u201c\u2018Death and the Young Man\u2019: Saramago\u2019s Death at Intervals<\/em>\u201d. In Carvalho Homem, Rui (ed.)<\/span> Relational Designs in Literature and the Arts. Page and Stage, Canvas and Screen<\/em><\/span>. Amsterdam\/New York, Rodopi, pp. <\/span>371-86.<\/span><\/p>\n 8. Ferreira, Aline (2012). <\/span>\u201cNew Transgenic Monsters: Bioart and Teratology\u201d. In <\/span>Jonathan A. Allan and Elizabeth E. Nelson (eds.) Inversions of Power and Paradox.<\/em> Inter-Disciplinary Press eBook.<\/p>\n 9. Ferreira, Aline (2014). <\/span>\u201cFarm Fountains, Frozen Flowers and Rooftop Gardens: A ew Ecology?\u201d In As Humanidades e as Ci\u00eancias: Disjun\u00e7\u00f5es e Conflu\u00eancias<\/em>. Org. Ana Gabriela Macedo et al. Ribeir\u00e3o: H\u00famus, pp. 465-479.<\/p>\n