FCSH\/NOVA<\/p>\n
Iolanda Ramos is Assistant\u2028Professor at\u2028Universidade\u2028Nova de Lisboa, Portugal, <\/span>where\u2028she teaches\u2028English Studies, Cultural Studies\u2028and Translation Studies since 1985<\/span>. She has published extensively within the field of Victorian Studies, mainly on political and social issues under the framework of Cultural Studies and Utopian Studies. Her doctoral thesis on Ruskin\u2019s social and political thought was published by the Gulbenkian Foundation in 2002. She is the author of <\/span>Matrizes Culturais: Notas para Um Estudo da Era Vitoriana<\/em> (2014) and co-editor of Performing Identities and Utopias of Belonging<\/em><\/span> (2013). <\/span>Her research interests cover 19th, 20th and 21st century culture and include neo-Victorianism, visual studies, gender studies and interculturality. <\/span>She is a member of the Editorial Board of the online and double-blind refereed journals <\/span>The Eighth Lamp: Ruskin Studies Today<\/em><\/span> and <\/span>Spaces of Utopia: An Electronic Journal<\/em><\/span>. She has been carrying out research as part of the project \u201cMapping Dreams: British and North-American Utopianism\u201d within the Centre for English, Translation and Anglo-Portuguese Studies (CETAPS) since 2004.<\/span><\/p>\n 1. <\/span>Ramos, Iolanda (2014), Matrizes Culturais: Notas para Um Estudo da Era Vitoriana<\/em>, Lisboa, Edi\u00e7\u00f5es Colibri.<\/p>\n 2. <\/span>Botelho, Teresa \/ Iolanda Ramos, eds. (2013), Performing Identities and Utopias of Belonging<\/em>, Newcastle upon Tyne, Cambridge Scholars Publishing. <\/span><\/p>\n 3.<\/span> Ramos, Iolanda (2012), \u201cA Global Family of Man: The Imperial Utopia of \u2018White Negroes\u2019\u201d, in Sara Gra\u00e7a da Silva \/ F\u00e1tima Vieira \/ Jorge Bastos da Silva (eds.), (Dis)entangling Darwin: Cross-Disciplinary Reflections on the Man and His Legacy<\/em>, Newcastle upon Tyne, Cambridge Scholars Publishing, pp. 118-133.<\/p>\n 4.<\/span> Ramos, Iolanda (2011), \u201cA Vis\u00e3o Pr\u00e9-Rafaelita: Uma Utopia Transcultural\u201d, in Cristina Pratas Cruzeiro \/ Rui Oliveira Lopes (eds.), Arte e Sociedade: Actas das Confer\u00eancias As Artes Visuais e as Outras Artes<\/em>, Lisboa, Faculdade de Belas-Artes da Universidade de Lisboa\/CIEBA, pp. 276-287.<\/p>\n 5. <\/span>Ramos, Iolanda (2010 [2007]<\/span>), \u201cMuseums for the People: A Signifying Practice of Order within a Community\u201d, in Carmen Casaliggi \/ Paul March-Russell (eds.), Ruskin in Perspective: Contemporary Essays<\/em>, Newcastle upon Tyne, Cambridge Scholars Publishing, pp. 115-131.<\/p>\n 6. <\/span>Ramos, Iolanda (2010), \u201cG\u00e9nese de Uma Ci\u00eancia: O Legado Doutrin\u00e1rio Brit\u00e2nico e a Economia Pol\u00edtica no Portugal Oitocentista\u201d, Revista de Estudos Anglo-Portugueses<\/em>, nr. 19, pp. 251-263.<\/p>\n 7. <\/span>Ramos, Iolanda (2006), \u201cUtopia Re-Interpreted: An Interview with Vita Fortunati\u201d, Spaces of Utopia: An Electronic Journal<\/em>, nr. 2, pp. 1-14.<\/p>\n 8. <\/span>Ramos, Iolanda (2006), \u201cClues to Utopia in W. H. Mallock\u2019s The New Republic<\/em>\u201d, Spaces of Utopia: An Electronic Journal<\/em>, nr. 2, pp. 28-41.<\/p>\n 9. <\/span>Ramos, Iolanda (2003), \u201c\u2018Tell me what you like, and I\u2019ll tell you what you are\u2019 \u2013 An Overview of the Victorian Political Economy of Art\u201d, in Annie Escuret \/ F\u00e1tima Vieira (eds.), Cahiers Victoriens et \u00c9douardiens: Miscellany \/ The Great Exhibition Conference<\/em>, nr. 57, pp. 211-222.<\/p>\n