{"id":115,"date":"2023-10-18T16:28:17","date_gmt":"2023-10-18T16:28:17","guid":{"rendered":"https:\/\/id.letras.up.pt\/alimentopia\/?p=115"},"modified":"2024-05-07T14:19:16","modified_gmt":"2024-05-07T14:19:16","slug":"maria-luisa-malato","status":"publish","type":"post","link":"https:\/\/id.letras.up.pt\/alimentopia\/?p=115","title":{"rendered":"Maria Lu\u00edsa Malato"},"content":{"rendered":"<p>Faculdade de Letras da Universidade do Porto &#8211; PORTUGAL<\/p>\n<p>Associated Professor with tenure at the University of Porto (Faculty of Literature and Arts, Porto, Portugal) for rhetoric, and aesthetics. MA and PhD in Comparative Literature and made her Aggregation in Romance Literatures (2008). Her main fields of research are Utopian Studies, Rhetorical Studies and Theatre during the 18th-19th centuries, and her works aim to prove the profound need for expanding the scope of research, combining the inputs of literature and science, manuscripts and printed books, unknown and canonical writers. Since 1990, she is member of the French Society for Eighteenth-Century Studies (SFEDS). She is also member and President of the General Assembly of the Institute of Comparative Literature Margarida Losa (ILCML), unit of R&amp;D financed by the FCT, and, since 2013, Vice-President of the Portuguese Comparative Literature Association (APLC). Co-Editor of Pontes de Vista, an online journal about Literature and Philosophy.<\/p>\n<p>1. Malato, Maria Lu\u00edsa (2015). <em>O Belo e os Monstros\u00a0: Hist\u00f3ria de uma po\u00e9tica proibida no teatro de Manuel de Figueiredo<\/em>, in \u201cO Teatro em Portugal nos s\u00e9culos XVIII e XIX\u201d, eds. Christoph M\u00fcller e Martin Neumann, Berlim\/ Lisboa, Ibero-Amerikanisches Institut, pp. 39-61.<\/p>\n<p>2. __ (2015). <em>Albert Camus\u00a0: \u201cA Peste\u201d, in<\/em> Contar (com) a Medicina, ed. Isabel Fernandes, Maria de Jesus Cabral, Teresa Casal. Alda Correia, Diana V. Almeida, Lisboa, Ed. Pedago e Centro de Estudos Angl\u00edsticos da Universidade de Lisboa, pp.163-166<\/p>\n<p>3. __ (2016). <em>As Luzes de Maria Teresa Horta: Uma Ret\u00f3rica da Sensibilidade<\/em>, in \u201cLetras Convida. Revista de Literatura, Cultura e Arte, Dossier Escritor: MARIA TERESA HORTA, Lisboa, CLEPUL\/ INCM, n.\u00ba 7, 2014-2016, pp. 188-197.<\/p>\n<p>4. __ (2016). <em>O Mar de Sophia , o Mar\u00e3o de Pascoaes e as <\/em>Metamorfoses<em> de Ov\u00eddio<\/em>, \u201c<a href=\"\\&quot;https:\/\/sigarra.up.pt\/flup\/pt\/pub_geral.pub_view?pi_pub_base_id=124554\\&quot;\">Biblos. Revista da Faculdade de Letras da Universidade de Coimbra\u201d<\/a><a href=\"\\&quot;https:\/\/sigarra.up.pt\/flup\/pt\/pub_geral.pub_view?pi_pub_base_id=124554\\&quot;\">\u00a0<\/a>, em co-autoria com Celeste Nat\u00e1rio, Coimbra, Imprensa da Universidade de Coimbra, III. S\u00e9rie, n.\u00ba 2: Mar, p. 11-32. DOI <em><a href=\"\\&quot;http:\/\/dx.doi.org\/10.14195\/0870-4112_3-2_1\\&quot;\">http:\/\/dx.doi.org\/10.14195\/0870-4112_3-2_1<\/a>.<\/em><\/p>\n<p>5. __ (2016). <em>[O que t\u00eam em comum a \u201cdentroaspis viridis hallowvell\u201d e uma urgente teoria cient\u00edfica da cultura?],<\/em> Pref\u00e1cio a \u201cSeguran\u00e7a: a Queda do Paradigma Original\u201d, de Manuel Serafim Pinto, Lisboa, Fronteira do Caos Editores, p. 11-15.<\/p>\n<p>6. __ (2014). <em>Da Utopia do Espa\u00e7o \u00e0 Utopia do Leitor\u00a0: Rodrigues da Costa, Manuel de Figueiredo e a Ambiguidade da Lua no Espa\u00e7o Imagin\u00e1rio Portugu\u00eas<\/em>, <em>in<\/em> \u201cCol\u00f3quio Letras\u201d, Volume sobre Utopia, Lisboa, n.\u00ba 186, maio-agosto, p. 42-58.<\/p>\n<p>7. __ (2014). L\u2019\u00abhistoire v\u00e9ritable de la plan\u00e8te Mars\u00bb : Pour une morphologie de l\u2019\u00e9tranger et du voyage interplan\u00e9taire, Carnets, revue \u00e9lectronique d\\&#8217;\u00e9tudes fran\u00e7aises (IIe s\u00e9rie, n\u00ba 1, 2014- volume int\u00e9gral), <em>Dir. Ana Clara Santos, Maria de Jesus Cabral, p. 167-184, dispon\u00edvel online <\/em>http:\/\/ler.letras.up.pt\/uploads\/ficheiros\/12364.pdf<\/p>\n<p>8. __ (2013). <em>A import\u00e2ncia de ser simp\u00e1tico\u00a0: duas releituras de Benito Feijoo no s\u00e9culo XX: Pascoaes e Brocos<\/em>, <em>in<\/em> \u201cCuadernos de Estudios del Siglo XVIII\u201d, Oviedo, Univ. de Oviedo\/ Instituto Feijoo de Estudios del Siglo XVIII, n.\u00ba 23, p. 81-99.<\/p>\n<p>9. __ (2011). <em>\u00ab\u00a0Les Rats de l\u2019Inquisition\u00a0\u00bb\u00a0: La rh\u00e9torique d\u2019un po\u00e8te condamn\u00e9<\/em>, in \u201cPenser Librement Sous la Censure\u201d, coord. Pierre Gillis, A. Staquet, Cahiers Internationaux de Symbolisme, Gen\u00e8ve-Mons, N.\u00ba 128-129-130, 2011, p. 25-48.<\/p>\n<p>10. __ (2010). <em>Sobre a perigosa arte de jardinar. A miss\u00e3o guerreira do poeta na Academia dos Singulares<\/em>, <em>in<\/em> \u201cA Arte da Cultura. Homenagem a Yvette Centeno\u201d, Lisboa, Colibri, p. 301-313.<\/p>\n<p><a href=\"https:\/\/cienciavitae.pt\/731F-4555-6064\" target=\"_blank\" rel=\"noopener\">More info<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Faculdade de Letras da Universidade do Porto &#8211; PORTUGAL Associated Professor with tenure at the University of Porto (Faculty of Literature and Arts, Porto, Portugal) for rhetoric, and aesthetics. MA and PhD in Comparative Literature and made her Aggregation in Romance Literatures (2008). Her main fields of research are Utopian Studies, Rhetorical Studies and Theatre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-115","post","type-post","status-publish","format-standard","hentry","category-sem-categoria"],"_links":{"self":[{"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/posts\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=115"}],"version-history":[{"count":2,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/posts\/115\/revisions"}],"predecessor-version":[{"id":405,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/posts\/115\/revisions\/405"}],"wp:attachment":[{"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}