{"id":121,"date":"2023-10-18T16:33:36","date_gmt":"2023-10-18T16:33:36","guid":{"rendered":"https:\/\/id.letras.up.pt\/alimentopia\/?p=121"},"modified":"2024-05-07T14:16:07","modified_gmt":"2024-05-07T14:16:07","slug":"121","status":"publish","type":"post","link":"https:\/\/id.letras.up.pt\/alimentopia\/?p=121","title":{"rendered":"Katarzyna Pisarska"},"content":{"rendered":"<p><span lang=\"\\&quot;pl-PL\\&quot;\">Maria Curie-Sk\u0142odowska University, Lublin, Poland <\/span><\/p>\n<p><span lang=\"\\&quot;en-GB\\&quot;\">Katarzyna Pisarska is Assistant Professor of English Literature at Maria Curie-Sk\u0142odowska University in Lublin, Poland, where she teaches courses on seventeenth- and eighteenth-century English literature, historical fiction, theories of literature and culture, and identity. She is the author of Mediating the World in the Novels of Iain Banks: The Paradigms of Fiction (2013) and co-editor of The Lives of Texts: Exploring the Metaphor (2012). She has published articles and book chapters on British and American literature and utopian cinema and fiction. Her main research interests focus on Scottish fiction, utopian studies, the Gothic, and myth in literature and culture.<\/span><\/p>\n<p><span lang=\"\\&quot;en-GB\\&quot;\">1. Pisarska, Katarzyna (2016). \u201cMore\u2019s Utopia in Poland: Translations and Impact \u2013 An Overview\u201d, <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>Utopian Studies<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\">, vol. 27, nr. 2, pp. 346-362.<\/span><\/p>\n<p><span lang=\"\\&quot;en-GB\\&quot;\">2. Pisarska, Katarzyna, \u201cThe Dystopian Grotesque in Enki Bilal\u2019s <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>The Carnival of Immortals<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\">\u201d, in Marta Komsta, Grzegorz Czemiel, Justyna Galant, Anna K\u0119dra-Kardela, Aleksandra K\u0119dzierska (eds.) (2015), <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>Visions and Revisions: Studies in Literature and Culture<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\">, Frankfurt, Peter Lang, pp. 307-315.<\/span><\/p>\n<p><span lang=\"\\&quot;en-GB\\&quot;\">3. Pisarska, Katarzyna, \u201cScience, Power and Utopia in the <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>Appleseed<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\"> Universe\u201d, in <\/span><span lang=\"\\&quot;en-US\\&quot;\">Barbara Klonowska, Zofia Kolbuszewska and Grzegorz Maziarczyk (eds.) (2015),<\/span> <span lang=\"\\&quot;en-GB\\&quot;\"><em>(Im)perfection subverted, reloaded and networked: utopian discourse across media<\/em><\/span><span lang=\"\\&quot;en-US\\&quot;\">, Frankfurt, Peter Lang, pp. <\/span><span lang=\"\\&quot;en-GB\\&quot;\">95-123.<\/span><\/p>\n<p><span lang=\"\\&quot;en-GB\\&quot;\">4. Pisarska, Katarzyna, \u201c\u201bThe Speaking Picture\u2019: Frank Capra\u2019s Adaptation of James Hilton\u2019s <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>Lost Horizon<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\">\u201d, in Artur Blaim and Ludmi\u0142a Gruszewska-Blaim (eds.)<\/span> <span lang=\"\\&quot;en-GB\\&quot;\">(2015), <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>Mediated Utopias: From Literature to Cinema<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\">, Frankfurt, Peter Lang, pp. 41-70.<\/span><\/p>\n<p><span lang=\"\\&quot;en-GB\\&quot;\">5. Pisarska, Katarzyna, <\/span>\u201cRevisiting the Happy Valley in Alan Jacobs\u2019s <em>Eutopia: The Gnostic Land of Prester John<\/em>\u201d, in Jorge Bastos da Silva (ed.) (2013), <em>Epistemology of Utopia: Rhetoric, Theory and Imagination<\/em>, Newcastle upon Tyne, Cambridge Scholars Publishing, pp. 197-222.<\/p>\n<p><span lang=\"\\&quot;en-GB\\&quot;\">6. Pisarska, Katarzyna, \u201cAfter the End of All Things: Iain Banks\u2019s <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>A Song of Stone<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\"> as a Post-Apocalyptic Dystopia\u201d, in Artur Blaim and Ludmi\u0142a Gruszewska-Blaim (eds.) (2012), <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>Spectres of Utopia<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\">, Frankfurt, Peter Lang, pp. 247-255.<\/span><\/p>\n<p><span lang=\"\\&quot;en-GB\\&quot;\">7. Pisarska, Katarzyna, \u201cOut of the Drawer and Back Again: Utopian Satire in Juliusz Machulski\u2019s <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>Kingsajz<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\">\u201d, in Artur Blaim and Ludmi\u0142a Gruszewska-Blaim (eds.) (2011), <\/span><span lang=\"\\&quot;en-GB\\&quot;\"><em>Imperfect Worlds and Dystopian Narratives in Contemporary World Cinema<\/em><\/span><span lang=\"\\&quot;en-GB\\&quot;\">, Frankfurt, Peter Lang, pp. 131-151.<\/span><\/p>\n<p><a href=\"https:\/\/pisarska.pl\/\" target=\"_blank\" rel=\"noopener\">More info<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maria Curie-Sk\u0142odowska University, Lublin, Poland Katarzyna Pisarska is Assistant Professor of English Literature at Maria Curie-Sk\u0142odowska University in Lublin, Poland, where she teaches courses on seventeenth- and eighteenth-century English literature, historical fiction, theories of literature and culture, and identity. She is the author of Mediating the World in the Novels of Iain Banks: The Paradigms [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-121","post","type-post","status-publish","format-standard","hentry","category-sem-categoria"],"_links":{"self":[{"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/posts\/121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=121"}],"version-history":[{"count":3,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/posts\/121\/revisions"}],"predecessor-version":[{"id":401,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=\/wp\/v2\/posts\/121\/revisions\/401"}],"wp:attachment":[{"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/id.letras.up.pt\/alimentopia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}