CETAPS \u2013 FLUP \/ Escola Superior de Educa\u00e7\u00e3o \u2013 Instituto Polit\u00e9cnico do Porto<\/p>\n
Miguel Ramalhete Gomes is currently an FCT post-doctoral research fellow working on the theme of Shakespeare and presentism (SFRH\/BPD\/75848\/2011). <\/span>He teaches at Escola Superior de Educa\u00e7\u00e3o do Instituto Polit\u00e9cnico do Porto (ESE-IPP). He has presented papers at several international conferences on the topics of early modern drama, especially Shakespeare, 20<\/span>th<\/span><\/sup>-century German drama, Irish studies, and Utopian studies. He has recently published <\/span>Texts Waiting for History: William Shakespeare Re-Imagined by Heiner M\u00fcller<\/em><\/span> (Brill | Rodopi, 2014).<\/span><\/p>\n He is a researcher at CETAPS, where he is involved in the following projects: <\/span>Mapping Dreams: British and North-American Utopianism<\/em><\/span>; <\/span>Relational Forms: Intertextual and Inter-Arts Dynamics in the Cultures of Ireland and Britain<\/em><\/span>; and <\/span>Shakespeare and the English Canon: a research and translation project<\/em><\/span>. For this last project he is at present translating <\/span>Henry VI, Part 3<\/em><\/span> into Portuguese. In the context of his work at CETAPS, he has in addition been part of the organizing committee of five international conferences held at the FLUP from 2010 to 2014.<\/span><\/p>\n He is also executive director of <\/span>Via panor\u00e2mica: revista electr\u00f3nica de estudos anglo-americanos | an electronic journal of Anglo-American studies<\/em><\/span> (http:\/\/ler.letras.up.pt\/site\/default.aspx?qry=id05id1188&sum=sim<\/a>), as well as associate co-editor, with Francesca Rayner (Universidade do Minho), of the Portuguese section of the platform <\/span>Reviewing Shakespeare<\/em><\/span> (http:\/\/bloggingshakespeare.com\/reviewing-shakespeare\/<\/a>), powered by the Shakespeare Birthplace Trust and the University of Warwick.<\/span><\/p>\n 1. <\/span>Gomes, Miguel Ramalhete (2014), <\/span>Texts Waiting for History: William Shakespeare Re-Imagined by Heiner M\u00fcller<\/em><\/span>, IFAVL (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft), Amsterdam, New York, Rodopi.<\/span><\/p>\n 2. __<\/span>\u00a0(2014), \u201c<\/span>Intended for the Stage: Performance Criticism in Richard Brome\u2019s <\/span>The Antipodes<\/em><\/span>\u201d, <\/span>Yearbook of the Spanish and Portuguese Society for English Renaissance Studies<\/em><\/span>, nr. 24, pp. 157-169.<\/span><\/p>\n 3. <\/span>__ (<\/span>2013), \u201c\u2018Nothing ever ends\u2019: Ending Dystopian History in <\/span>Watchmen<\/em><\/span>\u201d, in F\u00e1tima Vieira (ed.), <\/span>Dystopia(n) Matters: On the Page, on Screen, on Stage<\/em><\/span>, Newcastle upon Tyne, Cambridge Scholars Publishing, pp. 270-279.<\/span><\/p>\n 4. <\/span>__ (<\/span>2013), \u201cFreezing the Tempest: Natural History in Shakespeare and Heiner M\u00fcller\u201d, in Tobias D\u00f6ring & Virginia Mason Vaughan (eds), <\/span>REAL \u2013 Yearbook of Research in English and American Literature, Vol. 29.<\/em><\/span> Critical and Cultural Transformations: Shakespeare\u2019s The Tempest \u2013 1611 to the Present<\/em><\/span>, T\u00fcbingen, Narr, pp. 115-130.<\/span><\/p>\n 5. <\/span>__ (2013), \u201c\u2018IN THE FEARFUL ARMOUR\u2019: Shakespeare, Heiner M\u00fcller and the Wall\u201d, in Carla Dente & Sara Soncini (eds), <\/span>Shakespeare and Conflict: A European Perspective<\/em><\/span>, Hampshire, Palgrave Macmillan, pp. 145-156.<\/span><\/p>\n 6. <\/span>__ (2012), Co-edition of and introduction to the section <\/span>The Centre of the Canon and its Elsewheres: Shakespeare\u2019s Wanderings<\/em><\/span>, in<\/span> Rui Carvalho Homem (ed.), <\/span>Relational Designs in Literature and the Arts. <\/em><\/span>Page and Stage, Canvas and Screen<\/em><\/span>, <\/span>IFAVL (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft), <\/span>Amsterdam, New York, Rodopi.<\/span><\/p>\n 7. <\/span>__ (<\/span>2012), \u201c\u2018THE ARTWORK ON EXHIBIT RUNS ABOUT\u2019: Brigitte Maria Mayer\u2019s Filmic Adaptation of Heiner M\u00fcller\u2019s <\/span>Anatomie Titus Fall of Rome<\/em><\/span>\u201d, in<\/span> Rui Carvalho Homem (ed.), <\/span>Relational Designs in Literature and the Arts. Page and Stage, Canvas and Screen<\/em><\/span>, <\/span>IFAVL (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft), <\/span>Amsterdam, New York, Rodopi, pp. 71-83.<\/span><\/p>\n 8. __ (2012), \u201cDeus ex machina<\/em>: Hist\u00f3ria e Utopia em Isaac Asimov\u201d, E-topia: Revista Electr\u00f3nica de Estudos sobre a Utopia<\/em>, nr. 13, (http:\/\/ler.letras.up.pt\/site\/default.aspx?qry=id05id164&sum=sim<\/a>).<\/p>\n 9. __ (2011), \u201cUma Hist\u00f3ria Natural da Utopia: O Caso das Cidades Obscuras<\/em>\u201d, E-topia: Revista Electr\u00f3nica de Estudos sobre a Utopia<\/em>, nr. 12, (http:\/\/ler.letras.up.pt\/site\/default.aspx?qry=id05id164&sum=sim<\/a>).<\/p>\n 10. <\/span>__ (<\/span>2007), \u201cThe City and the Plan: Schuiten and Peeters\u2019s Graphic Meta-utopias\u201d, <\/span>Spaces of Utopia: An Electronic Journal<\/em><\/span>, nr. 4, pp. 88-105, (http:\/\/ler.letras.up.pt\/uploads\/ficheiros\/3902.pdf<\/a><\/span>).<\/span><\/p>\n