{"id":29,"date":"2023-03-11T10:39:23","date_gmt":"2023-03-11T10:39:23","guid":{"rendered":"https:\/\/id.letras.up.pt\/icamt2023porto\/?page_id=29"},"modified":"2023-10-24T14:40:52","modified_gmt":"2023-10-24T14:40:52","slug":"program","status":"publish","type":"page","link":"https:\/\/id.letras.up.pt\/icamt2023porto\/?page_id=29","title":{"rendered":"Program"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-2\">\n<div class=\"wp-block-column is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Day 1 &#8211; Wednesday | October 25<\/strong><\/h4>\n\n\n\n<div style=\"height:7px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-table alignwide is-style-stripes has-small-font-size\" style=\"margin-top:0;margin-right:0;margin-bottom:0;margin-left:0\"><table class=\"has-border-color has-fixed-layout\" style=\"border-color:#4f9aff\"><tbody><tr><td><strong>8:30-9:00<\/strong><\/td><td><strong>Accreditation<\/strong><\/td><\/tr><tr><td><strong>9:00 &#8211; 9:30<\/strong><\/td><td><strong>Welcome and Opening remarks<\/strong><\/td><\/tr><tr><td><strong>09:30 &#8211; 10:15<\/strong><\/td><td><strong><em>Curating Conflict: The Troubles and Beyond&nbsp;<\/em><br>Karen Logan<\/strong>, Ulster Museum and the Ulster Transport Museum, Ireland<\/td><\/tr><tr><td><strong>10:15 &#8211; 10:30<\/strong><\/td><td><strong>Questions &amp; Answers&nbsp;<\/strong><br>Moderated by <strong>Denise Pollini<\/strong>, Culture Commons Quest Office \u2013 University of Antwerp, Belgium<\/td><\/tr><tr><td><strong>10:30 &#8211; 11:00<\/strong><\/td><td><strong>Coffee break<\/strong><\/td><\/tr><tr><td><strong>11:00 \u2013 12h30<\/strong><\/td><td><strong>Morning session \u2013 Key theme #1 \u2013 Dealing with Conflict<\/strong><br>Moderated by <strong>Lu\u00eds Tavares Pereira<\/strong>, Architect and Curator, founder and partner at [A] ainda arquitectura studio, Portugal<\/td><\/tr><tr><td><strong>11:00 \u2013 11:15<\/strong><\/td><td><em>Change is a beautiful thing,\u2019 said the butterfly. Exhibition design and the circular economy<\/em><br><strong>Ilse Lindenbergh, H\u00e9l\u00e8ne Verreyke and Bob Gelderman<\/strong>, University of Antwerp, Antwerp, Belgium<\/td><\/tr><tr><td><strong>11:15 \u2013 11:30<\/strong><\/td><td><em>Photo Elys\u00e9e\u2019s move to a purpose-built building: a new context with challenges and implications for conservation and logistics<\/em><br><strong>Marina Martin &amp; Nadine Reding, <\/strong>Photo Elys\u00e9e &#8211; Museum for Photography, Lausanne, Switzerland<\/td><\/tr><tr><td><strong>11:30 \u2013 11:45<\/strong><\/td><td><em>Luminous Conflicts: Navigating Architecture, Light, and Visitor Experience in Museums<\/em><br><strong>Charalampia Dimitropoulou<\/strong>, Athens School of Fine Arts, Athens, Greece<\/td><\/tr><tr><td><strong>11:45 \u2013 12:00<\/strong><\/td><td><em>Common Views: Sourcing Water \u2013 Contradict Historical Narratives constitutes a Museal Exhibition (ACAC, Israel)<\/em><br><strong>Irit Carmon Popper<\/strong>, The Faculty of Architecture and Town Planning, Technion IIT, Department of Art History, University of Haifa, Haifa, Israel<\/td><\/tr><tr><td><strong>12:00 &#8211; 12:30<\/strong><\/td><td><strong>Q&amp;A<\/strong><\/td><\/tr><tr><td><strong>12:30 &#8211; 14:00<\/strong><\/td><td><strong><strong>Free time for Lunch<\/strong><\/strong><\/td><\/tr><tr><td><strong>14:30 &#8211; 16:30<\/strong><\/td><td><strong>Afternoon session &#8211;<\/strong> <strong>Simultaneous museum visits (case studies)<\/strong><br><em>From Casa Andresen to Hall of Biodiversity, <\/em>Galeria da Biodiversidade-Centro Ci\u00eancia Viva<br><em><br>Ferreira da Silva chemistry laboratory restoration \u2013 the negotiating process, <\/em>Museu de Hist\u00f3ria Natural e da Ci\u00eancia da Universidade do Porto<br><em><br>Museu Nacional Soares dos Reis, visit focused on curatorship<\/em><br><em><br>Museu Nacional Soares dos Reis, visit focused on museum architecture<\/em><br><em><br>Public space and its contradictions. Porto through time, <\/em>Porto urban tour<\/td><\/tr><tr><td><strong>17:30 &#8211; 18:30<\/strong><\/td><td><strong>Welcome drink<\/strong><br>at Museu Nacional Soares dos Reis<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Day 2 &#8211; Thursday | October 26<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-table is-style-stripes has-small-font-size\"><table class=\"has-border-color has-luminous-vivid-orange-border-color has-fixed-layout\"><tbody><tr><td><strong>8:30 &#8211; 9:00<\/strong><\/td><td><strong>Accreditation<\/strong><\/td><\/tr><tr><td><strong>9:00 &#8211; 9:45<\/strong><\/td><td><strong><em>Two Recent Museum Projects in Southeast Asia; the connect and disconnect of institutional narratives and architectural spaces&nbsp;<\/em><br>Jean Fran\u00e7ois Milou<\/strong>, Architect founder at studioMilou Architecture<\/td><\/tr><tr><td><strong>9:45 &#8211; 10:00<\/strong><\/td><td><strong>Questions &amp; Answers&nbsp;<\/strong><br>Moderated by <strong>Nana Meparishvili<\/strong>, Chair of ICAMT, Georgia<\/td><\/tr><tr><td><strong>10:00 &#8211; 10:30<\/strong><\/td><td><strong>Coffee break<\/strong><\/td><\/tr><tr><td><strong>10:30 &#8211; <strong>12:30<\/strong><\/strong><\/td><td><strong>Morning session \u2013 Key theme #2 \u2013 Symbols of Conflict<\/strong><br>Moderated by <strong>Manuel Furtado<\/strong> <strong>Mendes<\/strong>, Universidade Lus\u00f3fona de Humanidades e Tecnologias, Lisboa<\/td><\/tr><tr><td><strong>10:30 &#8211; <strong>10:45<\/strong><\/strong><\/td><td><em>The Trend to Go Below Ground Level: When Swiss Art Museums Expand<\/em><br><strong>Peter Stohler<\/strong>, Kunstmuseum Thurgau, Warth,&nbsp; Switzerland<\/td><\/tr><tr><td><strong>10:45 &#8211; <strong>11:00<\/strong><\/strong><\/td><td><em>Postmortem Objectification: Human Remains in Museums<\/em><br><strong>Helen E. Martin &amp; Elizabeth A. Ronald<\/strong>, University of Tennessee, Knoxville, United States of America<\/td><\/tr><tr><td><strong>11:00 &#8211; <strong>11:15<\/strong><\/strong><\/td><td><em>Exhibition Design as a Medium to Form a Narrative Space for Representing Controversial<\/em><br><strong>Cheng-Yi Shih<\/strong>, National Taipei University of Education and National Taipei University of the Arts, Taiwan<\/td><\/tr><tr><td><strong>11:15 &#8211; <strong>11:30<\/strong><\/strong><\/td><td><em>When architecture is dominant<\/em><br><strong>Radom\u00edra Sedl\u00e1kov\u00e1<\/strong>, Czech technical university in Prague, Association of Museums and Galleries in Czech republic, Czech Republic<\/td><\/tr><tr><td><strong>11:30 &#8211; 12:00<\/strong><\/td><td><strong>Q&amp;A<\/strong><\/td><\/tr><tr><td><strong>12:00 &#8211; 12:15<\/strong><\/td><td><strong>Group Photo<\/strong><\/td><\/tr><tr><td><strong>12:15 &#8211; 14:00<\/strong><\/td><td><strong><strong><strong><strong>Free time for Lunch <\/strong><\/strong><\/strong><\/strong><\/td><\/tr><tr><td><strong>14:30 &#8211; 16:30<\/strong><\/td><td><strong>Afternoon session &#8211; simultaneous museum visits (case studies)<\/strong><br>The Organic Museum, Museu de Serralves<br><br>Light and atmospheres in the architecture of <br>Atelier Ant\u00f3nio Carneiro, Ateli\u00ea Ant\u00f3nio Carneiro \u2013 Museu do Porto<br><br>Reservat\u00f3rio \u2013 Museu do Porto<br><br>Porto Worst Tour, Porto Architecture Tour<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Day 3 &#8211; Friday | October 27<\/strong> <\/h4>\n\n\n\n<figure class=\"wp-block-table is-style-stripes has-small-font-size\"><table class=\"has-border-color has-fixed-layout\" style=\"border-color:#86ec00\"><tbody><tr><td><strong>8:30 \u2013 9:00<\/strong><\/td><td><strong>Accreditation<\/strong><\/td><\/tr><tr><td><strong>9:00 &#8211; 9:45<\/strong><\/td><td><em><strong>Museums: Containers versus Contents<\/strong><\/em><br><strong>Nuno Grande<\/strong>, Architect, critic, curator and Associate Professor at the University of Coimbra (DARQ\/UC), Portugal<\/td><\/tr><tr><td><strong>9:45 &#8211; 10:00<\/strong><\/td><td><strong>Questions &amp; Answers&nbsp;<\/strong><br>Moderated by <strong>Helena Barranha<\/strong>, IHA-NOVA FCSH\/IN2PAST, Portugal<\/td><\/tr><tr><td><strong>10:00 &#8211; 10:30<\/strong><\/td><td><strong>Coffee break<\/strong><\/td><\/tr><tr><td><strong>10:30 &#8211; <strong>11:15<\/strong><\/strong><\/td><td><strong>Morning session \u2013 Key theme #3 \u2013 Processes and Conflict<\/strong><br>Moderated by <strong>Danusa Castro<\/strong>, Co-Chair of ICAMT, Italy<\/td><\/tr><tr><td><strong>10:30 \u2013 10:45<\/strong><\/td><td><em>Exhibiting the occupation: How the Italian presence in Albania has been represented through exhibitions over the last century<\/em><br><strong>Giuseppe Resta<\/strong>, Faculty of Architecture of the University of Porto, Portugal<\/td><\/tr><tr><td><strong>10:45 \u2013 11:00<\/strong><\/td><td><em>Moving Beyond Depoliticized Representations: Understanding the Emergence of Conflicts and Disagreements in the Exhibition-Making Process<\/em><br><strong>Jiayi Chang<\/strong>, University of Leicester, Leicester, United Kingdom<\/td><\/tr><tr><td><strong>11:00 \u2013 11:15<\/strong><\/td><td><strong>Q&amp;A<\/strong><\/td><\/tr><tr><td><strong>11:30 \u2013 12:30<\/strong><\/td><td><strong>Morning session &#8211; Key theme #4 \u2013&nbsp; Healing, Resistance and the Future<\/strong><br>Moderated by <strong>Cl\u00e1udia Garradas<\/strong>, CITCEM \u2013 FLUP, Portugal<\/td><\/tr><tr><td><strong>11:30 \u2013 11:45<\/strong><\/td><td><em>Kunal &#8211; Museum for a Pre-Harappan Site<\/em><br><strong>Yatin Singhal<\/strong>, Architect &amp; Consultant, Department of Archaeology &amp; Museums, Haryana, Chandigarh, India<\/td><\/tr><tr><td><strong>11:45 \u2013 12:00<\/strong><\/td><td><em>Museum collection in historical building : Perspectives from Sudan<\/em><br><strong>Shadia Abdrabo Abdelwahab<\/strong>, National Corporation for Antiquities and Museums of Sudan, Sudan<\/td><\/tr><tr><td><strong>12:00 \u2013 12:15<\/strong><\/td><td><em>Conflict, Negotiation, and Indigenous Subjectivity: A Case Study on Curating an Exhibition for the Austronesian Hall at the National Museum of Prehistory, Taiwan<\/em><br><strong>Chun-wei Fang<\/strong>, National Museum of Prehistory, Taiwan<\/td><\/tr><tr><td><strong>12:15 &#8211; 12:30<\/strong><\/td><td><strong>Q&amp;A<\/strong><\/td><\/tr><tr><td><strong>12:30 &#8211; 14:00<\/strong><\/td><td><strong><strong>Free time for Lunch <\/strong><\/strong><\/td><\/tr><tr><td><strong>14:30 &#8211; 16:30<\/strong><\/td><td><strong>Afternoon session &#8211; simultaneous museum visits (case studies)<\/strong><br>\u200b\u200b<em>Casa da Arquitectura, visit focused on exhibition design<\/em><br><em><br>Casa da Arquitectura, Real Vin\u00edcola, visit focused on museum architecture<\/em><br><em><br>Museu da Mem\u00f3ria de Matosinhos<\/em><br><em>&nbsp;<br>Petrichor, The Smell of Rain (Porto Design Biennale 2023), <\/em>Casa do Design<br><em><br>Critical displaying, <\/em>Explorat\u00f3rio, esad\u2014idea<\/td><\/tr><tr><td><strong>17:30 &#8211; 19:30<\/strong><\/td><td><strong>Closing remarks and cocktail&nbsp;<\/strong><br>Edif\u00edcio dos Pa\u00e7os do Concelho, Matosinhos<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>Download the PDF program here:<\/p>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-7b514fad-e1e3-496e-af00-7fc69a1b1065\" href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/2023-ICAMT-Program-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">2023-ICAMT-Program-1<\/a><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/2023-ICAMT-Program-1.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-7b514fad-e1e3-496e-af00-7fc69a1b1065\">Download<\/a><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Venues and Accommodation<\/h3>\n\n\n\n<p><strong>Conference venue<\/strong><\/p>\n\n\n\n<p><strong>Biblioteca Municipal Almeida Garrett \u2013 Auditorium<\/strong><br>Located in Jardins do Pal\u00e1cio de Cristal<br>R. de Dom Manuel II<br>4050-239 Porto &#8211; Portugal<\/p>\n\n\n\n<p><strong>Walking:<\/strong><br>15 minutes walking from Hotel Tuela (see suggested accommodation below).<\/p>\n\n\n\n<p><strong>By bus:<\/strong><br>The Bus Stop is&nbsp;<strong>PAL\u00c1CIO<\/strong>.<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\"><em>Information about how to get to the case studies visits is available on the <a rel=\"noreferrer noopener\" href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?page_id=54(opens in a new tab)\" target=\"_blank\">related page<\/a>.<\/em><\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.google.com\/maps\/d\/u\/5\/embed?mid=1ywhxo05gvd4tElNaymJxFJ-oD3tubb0&#038;ehbc=2E312F\" width=\"640\" height=\"480\"><\/iframe>\n\n\n\n<p><strong>Where to stay?<\/strong><\/p>\n\n\n\n<p><strong>Our suggestions<\/strong> <\/p>\n\n\n\n<p>The <strong>HF Tuela Porto<\/strong> is perfect for your city break and offers spacious rooms and all the comfort you need during an extended visit to Porto!<\/p>\n\n\n\n<p>For those looking for a more practical, short and economical stay, you have at your disposal the <strong>Hotel&#8217;s Ala Sul (South Wing),<\/strong> which offers the same comfort and delicious breakfast at more attractive prices!<\/p>\n\n\n\n<p>Rua Arq. Marques da Silva, 200<br>4150-483 Porto &#8211; Portugal<br><a href=\"tel:+351226004747\" target=\"_blank\" rel=\"noreferrer noopener\">(+351) 226 004 747<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.hfhotels.com\/en\/hotels-en\/hf-tuela-porto-en\/\">https:\/\/www.hfhotels.com\/en\/hotels-en\/hf-tuela-porto-en\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Partners and Sponsors<\/h3>\n\n\n\n<p><strong>Main partner<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/06\/Main-partner-copia.png\" alt=\"\" class=\"wp-image-440\" width=\"397\" height=\"87\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/06\/Main-partner-copia.png 389w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/06\/Main-partner-copia-300x66.png 300w\" sizes=\"(max-width: 397px) 100vw, 397px\" \/><\/figure>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Partners<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"4366\" height=\"1390\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/Logos-partners-4.png\" alt=\"\" class=\"wp-image-399\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/Logos-partners-4.png 4366w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/Logos-partners-4-300x96.png 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/Logos-partners-4-1024x326.png 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/Logos-partners-4-768x245.png 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/Logos-partners-4-1536x489.png 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/Logos-partners-4-2048x652.png 2048w\" sizes=\"(max-width: 4366px) 100vw, 4366px\" \/><\/figure>\n\n\n\n<p><strong>Sponsors<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/SF_logoAsset-25positivo.png\" alt=\"\" class=\"wp-image-336\" width=\"368\" height=\"50\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/SF_logoAsset-25positivo.png 1461w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/SF_logoAsset-25positivo-300x42.png 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/SF_logoAsset-25positivo-1024x143.png 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/04\/SF_logoAsset-25positivo-768x107.png 768w\" sizes=\"(max-width: 368px) 100vw, 368px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Day 1 &#8211; Wednesday | October 25 8:30-9:00 Accreditation 9:00 &#8211; 9:30 Welcome and Opening remarks 09:30 &#8211; 10:15 Curating Conflict: The Troubles and Beyond&nbsp;Karen Logan, Ulster Museum and the Ulster Transport Museum, Ireland 10:15 &#8211; 10:30 Questions &amp; Answers&nbsp;Moderated by Denise Pollini, Culture Commons Quest Office \u2013 University of Antwerp, Belgium 10:30 &#8211; 11:00 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/pages\/29"}],"collection":[{"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29"}],"version-history":[{"count":96,"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/pages\/29\/revisions"}],"predecessor-version":[{"id":1052,"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/pages\/29\/revisions\/1052"}],"wp:attachment":[{"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}