{"id":712,"date":"2023-10-24T09:46:49","date_gmt":"2023-10-24T09:46:49","guid":{"rendered":"https:\/\/id.letras.up.pt\/icamt2023porto\/?page_id=712"},"modified":"2023-10-24T16:48:07","modified_gmt":"2023-10-24T16:48:07","slug":"__trashed","status":"publish","type":"page","link":"https:\/\/id.letras.up.pt\/icamt2023porto\/?page_id=712","title":{"rendered":"Posters"},"content":{"rendered":"\n<h2 class=\"wp-block-heading alignfull has-text-align-center\">Key Theme #1 \u2013 Dealing with Conflict<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:auto 56%\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=993\" target=\"_blank\" rel=\"noreferrer noopener\">Exploiting Conflicts in Designing Museums in Heritage Buildings: Ongoing Experimentations in the Portuguese Area<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong>Barbara Bogoni, Elena Montanari<\/strong><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=993\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Bogoni_Montanari_poster-1-1024x724.jpg\" alt=\"\" class=\"wp-image-717 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Bogoni_Montanari_poster-1-1024x724.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Bogoni_Montanari_poster-1-300x212.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Bogoni_Montanari_poster-1-768x543.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Bogoni_Montanari_poster-1-1536x1086.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Bogoni_Montanari_poster-1-2048x1448.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:56% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1009\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Dina-Turkieh-ICAMT-2023-Islamic-Art-and-the-museum-Poster-1024x724.jpeg\" alt=\"\" class=\"wp-image-976 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Dina-Turkieh-ICAMT-2023-Islamic-Art-and-the-museum-Poster-1024x724.jpeg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Dina-Turkieh-ICAMT-2023-Islamic-Art-and-the-museum-Poster-300x212.jpeg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Dina-Turkieh-ICAMT-2023-Islamic-Art-and-the-museum-Poster-768x543.jpeg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Dina-Turkieh-ICAMT-2023-Islamic-Art-and-the-museum-Poster-1536x1086.jpeg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Dina-Turkieh-ICAMT-2023-Islamic-Art-and-the-museum-Poster.jpeg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1009\" target=\"_blank\" rel=\"noreferrer noopener\">Islamic Art and the Museum: Challenges and Solutions<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong><strong>Dina Mohammad Turkieh<\/strong><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading alignfull has-text-align-center\">Key Theme #2 \u2013 Symbols of Conflict<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:auto 56%\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1013\" target=\"_blank\" rel=\"noreferrer noopener\">De-activating Contested Layers of Memory in Historic Museum Buildings: Ongoing Experiences at <em>Museo delle Civilt\u00e0<\/em> in Rome<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong>Elena Montanari<\/strong><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1013\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Elena_Montanari_poster-1024x724.jpg\" alt=\"\" class=\"wp-image-978 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Elena_Montanari_poster-1024x724.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Elena_Montanari_poster-300x212.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Elena_Montanari_poster-768x543.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Elena_Montanari_poster-1536x1086.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Elena_Montanari_poster-2048x1448.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:56% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1004\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-cindy_miok_choi-1024x768.jpg\" alt=\"\" class=\"wp-image-714 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-cindy_miok_choi-1024x768.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-cindy_miok_choi-300x225.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-cindy_miok_choi-768x576.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-cindy_miok_choi-1536x1152.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-cindy_miok_choi-2048x1536.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1004\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Resolving Conflict by Applying the Design Concepts of<\/strong> <strong>&#8216;Ventilation&#8217; and &#8216;Reflection&#8217;: <\/strong> <strong>A Case of the National Folk Museum of Korea\u2019s Special Exhibition [Folklore is our Lives]<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong>Cindy Miok Choi<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading alignfull has-text-align-center\">Key Theme #3 &#8211; Processes and Conflict\u00a0<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:auto 56%\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1017\" target=\"_blank\" rel=\"noreferrer noopener\">Museums as meeting places: undoing conflict with dialogue<\/a><\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong><strong>Fabiana Dicuonzo<\/strong><\/strong><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1017\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Fabiana_Dicuonzo-1024x724.jpg\" alt=\"\" class=\"wp-image-980 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Fabiana_Dicuonzo-1024x724.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Fabiana_Dicuonzo-300x212.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Fabiana_Dicuonzo-768x543.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Fabiana_Dicuonzo-1536x1086.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Fabiana_Dicuonzo-2048x1448.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading alignfull has-text-align-center\">Key Theme #4 \u2013 Healing, <br>Resistance and the Future <\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:56% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1000\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Beatriz_Takahashi-1024x724.jpg\" alt=\"\" class=\"wp-image-715 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Beatriz_Takahashi-1024x724.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Beatriz_Takahashi-300x212.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Beatriz_Takahashi-768x543.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Beatriz_Takahashi-1536x1086.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Beatriz_Takahashi-2048x1448.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1000\" target=\"_blank\" rel=\"noreferrer noopener\">Out of Display, Out of Mind? A Discussion About the Erasure of the Construction Worker in Architectural Exhibitions<\/a> <\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong>Beatriz da Silva Takahashi<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:auto 56%\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=720\" target=\"_blank\" rel=\"noreferrer noopener\">Exhibition design and (de)coloniality: contesting museums\u2019&nbsp;language<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong>Cl\u00e1udia Garradas, Sofia Carvalho<\/strong><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=720\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"725\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Sofia_Carvalho___Claudia_Garradas-1024x725.jpg\" alt=\"\" class=\"wp-image-718 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Sofia_Carvalho___Claudia_Garradas-1024x725.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Sofia_Carvalho___Claudia_Garradas-300x212.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Sofia_Carvalho___Claudia_Garradas-768x543.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Sofia_Carvalho___Claudia_Garradas-1536x1087.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Sofia_Carvalho___Claudia_Garradas.jpg 1587w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:56% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1085\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster_Giovana_Enham_Louise_Palma-1024x724.jpg\" alt=\"\" class=\"wp-image-982 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster_Giovana_Enham_Louise_Palma-1024x724.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster_Giovana_Enham_Louise_Palma-300x212.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster_Giovana_Enham_Louise_Palma-768x543.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster_Giovana_Enham_Louise_Palma-1536x1086.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster_Giovana_Enham_Louise_Palma-2048x1448.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1085\" target=\"_blank\" rel=\"noreferrer noopener\">Exploring the Transformative Role of Museums: Enhancing Conflict Resolution through Art Interpretation and Mindfulness Practices<\/a><\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong>Giovana Enham<\/strong>, <strong>Louise Palma<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:auto 56%\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1023\" target=\"_blank\" rel=\"noreferrer noopener\">Anima Mundi: the Design of a Temporary Missionary Ethnological Exhibition<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong><strong>Giulia Sodano<\/strong><\/strong>, <strong><strong>Vittoria Vaccaro<\/strong><\/strong><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1023\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Anima-Mundi-ICAMT-PORTO-2023-1024x724.jpg\" alt=\"\" class=\"wp-image-984 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Anima-Mundi-ICAMT-PORTO-2023-1024x724.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Anima-Mundi-ICAMT-PORTO-2023-300x212.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Anima-Mundi-ICAMT-PORTO-2023-768x543.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Anima-Mundi-ICAMT-PORTO-2023-1536x1086.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Anima-Mundi-ICAMT-PORTO-2023-2048x1448.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:56% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1027\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Ine\u0302s_Azevedo-_-Joana_Mateus-1024x724.jpg\" alt=\"\" class=\"wp-image-987 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Ine\u0302s_Azevedo-_-Joana_Mateus-1024x724.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Ine\u0302s_Azevedo-_-Joana_Mateus-300x212.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Ine\u0302s_Azevedo-_-Joana_Mateus-768x543.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Ine\u0302s_Azevedo-_-Joana_Mateus-1536x1086.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Poster-Ine\u0302s_Azevedo-_-Joana_Mateus-2048x1448.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1027\" target=\"_blank\" rel=\"noreferrer noopener\">Caring for social justice in a former domestic-industrial setting turned house-museum<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong>In\u00eas Azevedo, Joana Mateus<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile is-vertically-aligned-center is-style-default\" style=\"grid-template-columns:auto 56%\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1031\" target=\"_blank\" rel=\"noreferrer noopener\">Contemporary Exhibition Design as a Boundary Breaker<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#636363;font-size:clamp(14px, 0.875rem + ((1vw - 7.68px) * 0.361), 17px);line-height:1.1\"><strong><strong>Marco Borsotti, Raffaella Trocchianesi<\/strong><\/strong><\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/id.letras.up.pt\/icamt2023porto\/?p=1031\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Marco_Borsotti_Raffaella_Trocchianesi_poster-1024x724.jpg\" alt=\"\" class=\"wp-image-988 size-full\" srcset=\"https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Marco_Borsotti_Raffaella_Trocchianesi_poster-1024x724.jpg 1024w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Marco_Borsotti_Raffaella_Trocchianesi_poster-300x212.jpg 300w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Marco_Borsotti_Raffaella_Trocchianesi_poster-768x543.jpg 768w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Marco_Borsotti_Raffaella_Trocchianesi_poster-1536x1086.jpg 1536w, https:\/\/id.letras.up.pt\/icamt2023porto\/wp-content\/uploads\/2023\/10\/Marco_Borsotti_Raffaella_Trocchianesi_poster-2048x1448.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Key Theme #1 \u2013 Dealing with Conflict Exploiting Conflicts in Designing Museums in Heritage Buildings: Ongoing Experimentations in the Portuguese Area Barbara Bogoni, Elena Montanari Islamic Art and the Museum: Challenges and Solutions Dina Mohammad Turkieh Key Theme #2 \u2013 Symbols of Conflict De-activating Contested Layers of Memory in Historic Museum Buildings: Ongoing Experiences at [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/pages\/712"}],"collection":[{"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=712"}],"version-history":[{"count":33,"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/pages\/712\/revisions"}],"predecessor-version":[{"id":1112,"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=\/wp\/v2\/pages\/712\/revisions\/1112"}],"wp:attachment":[{"href":"https:\/\/id.letras.up.pt\/icamt2023porto\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}